Archive for the ‘American Literature’ Category

Teaching Early American Literature at Lenoir-Rhyne University

Monday, January 30th, 2012

Dr. Julie Voss

Recent discussion on EARAM-L, the listserv of the Society of Early Americanists, centered on the shortcomings of anthologies for teaching early American literature to undergraduates. Julie R. Voss, assistant professor of English and coordinator of the American Studies Program at Lenoir-Rhyne University, wrote:

I teach at a small school with no rare books collections; however, we do have access to the online Early American Imprints collection. This semester, my students in Colonial American Literature are working with primary texts from this archive, after studying several works available in modern editions. (This course is intended to “expose” students to colonial lit, not “cover” the period, so I don’t fly through an anthology.) They seem to be enjoying the experience, and they are learning a great deal about early literature and culture, as well as about research and editing.

Prof. Voss has now written an article about her class’s experience – “Accomplishing Something: Using Early American Imprints to Introduce Students to the Era and to the Field” – for publication in the fall 2012 issue of The Readex Report. To subscribe to this quarterly Readex e-publication, please use this form.

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Press Release: Announcing Afro-Americana, 1535-1922 — the online edition of the Library Company’s unparalleled collection

Monday, January 16th, 2012

Today we distributed this news release:

Readex to Launch Digital Edition of the Library Company of Philadelphia’s Unparalleled Collection of Afro-Americana

More than 12,000 searchable books, pamphlets, and broadsides will stimulate new research on centuries of African American history, literature, and life 

Source: Library Company of Philadelphia/Afro-Americana Collection

January 16, 2012 (NAPLES, FL) – A digital edition of Afro-Americana, 1535-1922: From the Library Company of Philadelphia will be introduced in late Spring 2012 by Readex, a division of NewsBank. Created from the Library Company’s acclaimed collection—an accumulation that began with Benjamin Franklin and has steadily increased throughout its entire history—this unique new online resource will provide researchers with more than 12,000 wide-ranging printed works about African American history. Critically important subjects covered include the West’s discovery and exploitation of Africa; the rise of slavery in the New World along with the growth and success of abolitionist movements; the development of racial thought and racism; descriptions of African American life—slave and free—throughout the Americas; and slavery and race in fiction and drama. Also featured are printed works of African American individuals and organizations.

“The Library Company’s Afro-Americana Collection is one of the most comprehensive and valuable archives of printed material by and about people of African descent anywhere in the world,” says Professor Richard Newman of the Rochester Institute of Technology. “From early descriptions of African society and culture to the black struggle for justice in the Americas during the 19th century, it remains a touchstone for scholars and students alike. To have it available online and at your fingertips in a searchable format will be a dream come true.”

Source: Library Company of Philadelphia/Afro-Americana Collection

The works in this collection, many of which are quite rare, span nearly 400 years, from the early 16th to the early 20th century. Examples include David Walker’s 1829 Appeal . . . to the Colored Citizens of the World, but in Particular, and Very Expressly to Those of the United States of America, a militant attack on both southern slavery and efforts to colonize free blacks; Lydia Maria Child’s 1833 essay, An Appeal in Favor of That Class of Americans Called Africans; William Still’s The Underground Rail Road: A Record of Facts, Authentic Narratives, Letters, &c., Narrating the Hardships, Hair-breadth Escapes, and Death Struggles of the Slaves in Their Efforts for Freedom (1872); William J. Simmons’ Men of Mark: Eminent, Progressive and Rising (1887); and Booker T. Washington’s The Story of the Negro: The Rise of the Race from Slavery, published in 1909.

Source: Library Company of Philadelphia/Afro-Americana Collection

Also included are such important but lesser-known works as Joseph Sidney, An Oration, Commemorative of the Abolition of the Slave Trade (New York, 1809) and Russell Parrott, An Oration on the Abolition of the Slave Trade . . . First of January, 1814 (Philadelphia, 1814), two works by African American authors celebrating January 1 anniversaries of the end of the slave trade; Grand Bobalition of Slavery! (Boston, 1820), a satire of such celebrations, one example of a long-overlooked genre; Robert B. Lewis, Light and Truth (Portland, Maine, 1836), which champions the central role of black Africans in laying the basis for ancient civilization; William Wells Brown, The Black Man: His Antecedents, His Genius, and His Achievements (an 1865 republication in newly-liberated Savannah of an 1863 collective biography of prominent blacks, many still alive, and most, like the author, former slaves); Martin R. Delany, Principia of Ethnology: The Origins of Race and Color, with an Archeological Compendium of Ethiopian and Egyptian Civilization (Philadelphia, 1879), a work by an African American analyzing the origins of color and race and championing black creativity; Charles Carroll, “The Negro a Beast” or “In the Image of God” (St. Louis, 1900), one of many savage works by whites denying the humanity of blacks; and three works by the preeminent African American sociologist W. E. B. Du Bois: The Atlanta Conferences (Atlanta, 1902); Some Efforts of American Negroes for Their Own Social Betterment (Atlanta, 1898); and A Select Bibliography of the Negro American (Atlanta, 1905).

Source: Library Company of Philadelphia/Afro-Americana Collection

The Library Company’s Afro-Americana Collection began to gain international renown for its size, range, and significance in the late 1960s as scholars, influenced by civil rights activism, initiated fresh studies of slavery’s part in the American story. “As researchers rediscovered the importance of the long-neglected writings of African Americans, they told us that our collection was vital to new scholarship in African American studies,” says Librarian James N. Green. The Library Company mounted the path-breaking exhibition “Negro History, 1553-1903” in 1969, and followed that with the publication in 1973 of the magisterial bibliography Afro-Americana 1553-1906: A Catalog of the Holdings of the Library Company of Philadelphia and the Historical Society of Pennsylvania. Since then, Afro-Americana has been a priority of the Library Company, and the collection has grown with each year. A second edition of the Catalog, including 2,500 works acquired since 1973, was published in 2008, preserving and extending the legacy of this landmark work and now providing the bibliographic control for Readex’s online edition. Afro-Americana, 1535-1922 will be fully integrated into America’s Historical Imprints for seamless searching with Early American Imprints, Series I and II: Evans and Shaw-Shoemaker, 1639-1819 and the recent Supplements from the Library Company of Philadelphia, which have added nearly 2,000 newly discovered items. In addition, Afro-Americana, 1535-1922 will be cross-searchable with all Archive of Americana collections, including African American Newspapers, 1827-1998 and African American Periodicals, 1825-1995.

Source: Library Company of Philadelphia/Afro-Americana Collection

Researchers around the world have praised advance word of the partnership between Readex and the Library Company to digitize this landmark collection. UCLA Emeritus Professor Gary Nash writes, “The benefits to scholarship and teaching that will come when the Library Company’s Afro-Americana Collection is made into a digital database are virtually immeasurable. This will be a major step in infusing American history in general with its vitally important African American component. Teachers at all levels will find this a gold mine.”

And University of Michigan Professor Martha S. Jones says, “Today, early African American studies is a global enterprise that includes researchers throughout the United States as well as Europe, Africa, Asia, the Caribbean and Latin America. This collaboration between the Library Company and Readex will bring new resources into reach and enrich this still expanding field of research and study.”

About the Library Company of Philadelphia

The Library Company is an independent research library specializing in American history and culture from the 17th through the 19th centuries. Founded in 1731 by Benjamin Franklin, the Library Company is America’s first successful lending library and oldest cultural institution. Free and open to the public, the Library Company houses an extensive non-circulating collection of rare books, manuscripts, broadsides, ephemera, prints, photographs, and works of art. The mission of the Library Company is to preserve, interpret, make available, and augment the valuable materials within its care. It serves a diverse constituency throughout Philadelphia and the nation, offering comprehensive reader services, an internationally renowned fellowship program, online catalogs, and regular exhibitions and public programs.

With the creation of the Program in African American History in 2007 (currently directed by Erica Armstrong Dunbar, an associate professor of history at the University of Delaware), the Library Company has expanded fellowships, conferences, exhibitions, publications, public programming, teacher training, and acquisitions to help achieve the full potential represented by its holdings in this area. For more information about this Program, see http://www.librarycompany.org/paah/

About Readex, a division of NewsBank

For more than sixty years, the Readex name has been synonymous with research in historical materials and government documents. Recognized by librarians, students, and scholars for its efforts to transform academic scholarship, Readex offers a wealth of Web-based collections in the humanities and social sciences, including the Archive of Americana, a family of historical collections featuring searchable books, pamphlets, newspapers, and government documents printed in America over three centuries, and the World Newspaper Archive, created in partnership with the Center for Research Libraries. Also available are the Foreign Broadcast Information Service Daily Reports and the Joint Publications Research Service Reports, two of the U.S. government’s fundamental sources of political, historical and scientific open source intelligence during the second half of the 20th century.

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For more information, contact Readex Marketing Director David Loiterstein by calling 1.800.762.8182 or emailing dloiterstein@readex.com.

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Key Titles in African American Periodicals, 1825-1995: Part One of Three

Tuesday, October 25th, 2011

African American Periodicals, 1825-1995, reflects more than a century and half of the African American experience. The first collection in Readex’s new America’s Historical Periodicals series, this wide-ranging resource features more than 170 titles from 26 states. Below is a brief description of seven of these publications. For descriptions of fourteen others, please visit the Key Periodicals page on the Readex website.

The Voice of the Negro (Atlanta, Georgia)

A literary journal aimed at a national audience of African Americans, The Voice of the Negro was published from 1904 to 1907. It published writings by Booker T. Washington, as well as a younger generation of black activists and intellectuals, including W.E.B. Du Bois, John Hope, Kelly Miller, Mary Church Terrell and William Pickens. It also featured poetry by Paul Lawrence Dunbar, James D. Corrothers and Douglas Johnson.

• Includes issues published between 1904 and 1907

The Colored American Magazine (Boston, Massachusetts)

One of the most prominent vehicles for black intellectual, artistic, and political expression during the first decade of the 20th century, The Colored American was edited by Pauline Hopkins, African American novelist, playwright and journalist. The magazine’s masthead read: “An Illustrated Monthly Devoted to Literature, Science, Music, Architecture, Facts, Fiction, and Traditions of the Negro Race.”

• Includes issues published between 1902 and 1908

The Horizon: A Journal of the Color Line (Washington, D.C.)

Edited by W.E.B. Du Bois, The Horizon was the precursor to The Crisis—Du Bois’ groundbreaking publication for the National Association for the Advancement of Colored People. However, The Horizon was a very different publication in that it functioned as an aggregator of news from other sources, as well as an outlet for its editors’ views. It had three main sections: “The In-Look” was a digest of the “Negro-American press,” “The Out-Look” was a digest of the periodical press, and “The Over-Look” was a digest of opinions and general catch-all for books, political discussions, and the views of Du Bois and his editors. It ceased publication in 1910 when Du Bois started The Crisis.

• Includes issues published between 1907 and 1910

The Crisis: A Record of the Darker Races (New York, New York)

The official magazine of the National Association for the Advancement of Colored People (NAACP), The Crisis was founded by W.E.B. Du Bois in 1910 and is widely considered one of the most important African American publications of the twentieth century. Primarily a current-affairs journal promoting the NAACP’s liberal program of social reform and racial equality, The Crisis also included poems, reviews and essays on culture and history. “The object of this publication,” Du Bois wrote, “is to set forth those facts and arguments which show the danger of race prejudice, particularly as manifested today toward colored people. It takes its name from the fact that the editors believe that this is a critical time in the history of the advancement of men.”

• Includes issues published between 1910 and 1922

The Negro: A Review (St. Louis, Missouri)

Billed as “America’s Best Negro Monthly,” The Negro: A Review contained articles, illustrations, advertisements and short stories. Edited by Frederick Bond in St. Louis, it was one of the only general interest African American magazines published in the Midwest during World War II.

• Includes issues published between 1943 and 1948

The African World (Greensboro, North Carolina)

Published first by the Student Organization for Black Unity, The African World described itself as the “Voice of the Revolutionary Pan-African Youth Movement in the Americas.” It contained articles and photographs covering civil rights, the youth movement, prison abuse, and the exploitation of African American workers. Its founders later helped form, and publicize, the February First Movement, the civil rights group named for the date in 1960 when four African American students asserted their right to sit at a Woolworth’s lunch counter in Greensboro, North Carolina.

• Includes issues published between 1971 and 1975

Black Careers (Philadelphia, Pennsylvania)

A bi-monthly journal that did much to educate African American job seekers about the importance of Equal Opportunity Employment legislation, Black Careers contained articles on employment trends, educational opportunities and discrimination in employment. It was also popular with teachers in inner city schools due to its profiles of role models from the African American business community.

• Includes issues published between 1977 and 1982

For more information about African American Periodicals, 1825-1995, please write to readexmarketing@readex.com. To request trial access for your institution, please use this form.

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Newly Discovered Materials Enrich Early American Imprints

Monday, October 10th, 2011

Nearly 2,000 rare printed items from the Library Company of Philadelphia—previously unavailable in the Evans and Shaw-Shoemaker series—have been digitized by Readex.

Available in two parts, Supplements from the Library Company of Philadelphia, 1670-1819 may now be seamlessly searched and browsed within Readex’s fully integrated America’s Historical Imprints collection—the definitive resource for researching every aspect of 17th- and 18th-century America.

Representing the largest collection of early American imprints to have been identified and cataloged during the last 40 years, these new series of remarkable printed materials include items relevant to a host of humanities topics and are representative of numerous genres of colonial print. These newly discovered materials are particularly valuable for studying popular culture; many emanate from the middle and lower orders of society.

Early American Imprints, Series I:

Supplement from the Library Company

of Philadelphia, 1670-1800

Sample DocumentsTitle ListRequest Trial


Early American Imprints, Series II:

Supplement from the Library Company

of Philadelphia, 1801-1819

Sample DocumentsTitle ListRequest Trial

 “These collections are rich in imprints that have never before been available in the digital Early American Imprints because they came to light after the completion of the bibliographies on which it was based,” says James N. Green, the Library Company’s Librarian. “By adding them to their Archive of Americana, Readex has made it even more truly the national digital library of early American print.”

 

For more information or to arrange a product trial, please contact Readex at 800.762.8182, sales@readex.com or use this form.

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Now online: African American Periodicals – from slavery to the modern era

Monday, September 12th, 2011

African American Periodicals, 1825-1995

The essential new complement to African American Newspapers, 1827-1998

African American Periodicals, 1825-1995 features more than 170 wide-ranging periodicals by and about African Americans. Published in 26 states, the publications include academic and political journals, commercial magazines, institutional newsletters, organizations’ bulletins, annual reports and other genres.

These diverse periodicals—which have shaped, and in turn been shaped by, African American culture—will enable new discoveries about lives of African Americans as individuals, as an ethnic group and as Americans. Like African American Newspapers, 1827-1998, this new collection is based upon James P. Danky’s monumental African-American Newspapers and Periodicals: A National Bibliography.

Drawn from matchless holdings of the Wisconsin Historical Society, African American Periodicals ranges over more than 150 years of American life, from slavery during the Antebellum Period to the struggles and triumphs of the modern era. Beyond offering opinions on issues and events of the day, the rare titles in African American Periodicals capture the voices of African American social, political, religious, literary and business history. The publications brought together here—many short-lived and not collected by most libraries—brim with surprises and untold stories.

For more information or to request a collection trial at your institution, please contact Readex at 800.762.8182 or readexmarketing@readex.com.

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Writing the First Biography of Noah Webster in the Digital Age

Monday, August 22nd, 2011

More than America’s greatest lexicographer, Noah Webster (1758-1843) published a supremely influential spelling book, served as confidant of both George Washington and Alexander Hamilton, effectively supported the U.S. Constitution through a widely read essay, edited New York City’s first daily newspaper American Minerva, served as a state representative in both Connecticut and Massachusetts, and helped to found Amherst College.

To bring this “full-bodied human being to life,” award-winning journalist Joshua Kendall, author of The Man Who Made Lists, recently published The Forgotten Founding Father: Noah Webster’s Obsession and the Creation of American Culture (Putnam, 2011). Joseph J. Ellis calls Kendall’s new biography “by far the best, and best written, life of Webster,” and James McGrath Morris says “Kendall single-handily rescues the least-known founder of American politics and culture and gives him his long overdue place of importance.”

In his note on sources used to write The Forgotten Founding Father, Kendall explains:

From America's Historical Newspapers. Click to open full advertisement in PDF.

“I aimed not to write the definitive academic biography but to introduce Noah Webster to the broad reading public, who know him largely as a name pasted onto a reference book. Intrigued by the psychological turmoil which fueled his literary activity, particularly the dictionary, I was interested in bringing the full-bodied human being to life.  To tackle this assignment, I deemed it necessary to peruse as many primary sources as possible, especially since Webster’s descendants had done so much to sculpt his public image….

“I also immersed myself in Webster’s own published words.  As the first Webster biographer of the digital age, I could do much of this reading on my own laptop.  The online resource The Archive of Americana now features scanned copies of most American newspapers between 1690 and 1922.  By searching Webster’s name, I was able to find countless newspaper articles by and about this prolific journalist, including some not mentioned in the six-hundred-page tome A Bibliography of the Writings of Noah Webster, edited by Edwin H. Carpenter (New York, 1958). Likewise, the early American imprints section of the database includes the full text of many of Webster’s books and speeches, such as his various Independence Day orations and his 1806 ‘compend.’”

As Kendall notes, the Archive of Americana provides online access to cohesive collections of historical newspapers and books. This growing family of searchable printed materials, which also includes essential U.S. government publications, puts tens of millions of pages of primary documents at researchers’ fingertips.

For more information about the Archive of Americana, please contact readexmarketing@readex.com or visit our website.

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Ernest Hemingway: In His Time

Monday, July 11th, 2011

Source: American Newspaper Archives / America's Historical Newspapers

July of 2011 marks 50 years since the suicide of American author and Nobel Laureate Ernest Hemingway. Hemingway ranged far from his Oak Park, Illinois roots as a journalist in Kansas City, an ambulance driver on the Italian front in World War I, an expatriate in Paris in the 1920s, and a war correspondent in the Spanish Civil War and World War II. He hunted for big game in Africa and went deep sea fishing in the Caribbean. Along the way he wrote a handful of stories and novels that defined his generation.

Hemingway’s celebrity was of a different order than the fame of other American writers of his time. He had homes in Key West and then Cuba, went hunting and fishing, made appearances in the gossip columns, had multiple wives and wrote celebrity journalism. He used his fishing vessel to hunt for German subs during World War II. What he did was news. Even when, strictly speaking, it wasn’t really news at all. Following are some examples.

Here he’s introduced in 1930 to readers of the Seattle Daily Times in a gossip column:

Click to read full page in PDF.

A visit to New Orleans in 1936 is front-page news in the Times-Picayune:

Click to read full page in PDF.

He gets into fights with other authors, including this one with Max Eastman in the office of the fabled Scribners’ editor Maxwell Perkins, as seen in this 1937 item from the Springfield Sunday Union and Republican:

Click to read full page in PDF.

His first three wives were all from St. Louis – giving him the blues:

Click to read full page in PDF. Source: The Sunday Oregonian; Date: 11-11-1945.

For his literary contributions, he deserved significant coverage. His terse style changed American literature. This is the opening of Henry James’ 1881 novel The Portrait of a Lady:

Under certain circumstances there are few hours in life more agreeable than the hour dedicated to the ceremony known as afternoon tea. There are circumstances in which, whether you partake of the tea or not—some people of course never do — the situation is in itself delightful. Those that I have in mind in beginning to unfold this simple history offered an admirable setting to an innocent pastime. The implements of the little feast had been disposed upon the lawn of an old English country-house, in what I should call the perfect middle of a splendid summer afternoon. Part of the afternoon had waned, but much of it was left, and what was left was of the finest and rarest quality. Real dusk would not arrive for many hours; but the flood of summer light had begun to ebb, the air had grown mellow, the shadows were long upon the smooth, dense turf.

Compare this to Hemingway’s opening of A Farewell to Arms, published in 1929:

In the late summer of that year we lived in a house in a village that looked across the river and the plain to the mountains. In the bed of the river there were pebbles and boulders, dry and white in the sun, and the water was clear and swiftly moving and blue in the channels. Troops went by the house and down the road and the dust they raised powdered the leaves of the trees. The trunks of the trees too were dusty and the leaves fell early that year and we saw the troops marching along the road and the dust rising and leaves, stirred by the breeze, falling and the soldiers marching and afterwards the road bare and white except for the leaves.

Both opening paragraphs are evocative and scene setting, and are great examples of fine writing, but Hemingway’s prose still seems modern. The late-1920s were closer in time to James’ book than we are today to Hemingway’s.

And then he was dead of a self-inflicted wound—and that was front-page news too.

Click to read full article in PDF. Source: Dallas Morning News; Date: 07-03-1961.

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New Issue Available: The Readex Report (February 2011)

Tuesday, February 15th, 2011

In our latest issue, you’ll find an overlooked lion of abolitionism; a humorous commentary on a dated matrimonial primer; unsung talents from the golden age of radio; and a fresh conversation with a Beat Generation icon.

Writing the David Ruggles Biography: Newspapers Help Complete the Portrait of a Radical Black Abolitionist 

By Graham Russell Gao Hodges, George Dorland Langdon Jr. Professor of History and Africana & Latin American Studies, Colgate University

Avoiding Errors, Fopperies, and Follies: How to be a Good Wife

By Elizabeth Hopwood, Graduate Student, English Department, Northeastern University

Early Radio Broadcasting: Solving Mysteries with America’s Historical Newspapers

By Donna L. Halper, Assistant Professor of Communication, Lesley University

Talking News with Carolyn Cassady: A Conversation with the Matriarch of the Beat Generation

By David Whittaker, Writer and Content Specialist, NewsBank

Subscribe today to receive the April 2011 issue in your inbox. Browse previous issues in our archive. If you would like to contribute or suggest an article, contact The Readex Report editor by emailing readexreport@readex.com.

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Researching Nat Turner’s Slave Revolt in American (and African American) Newspapers

Monday, January 31st, 2011

Nat Turner preaches religion. Image Credit: The Granger Collection, New York

Whites throughout the American South were traumatized in the summer of 1831 by a bloody slave revolt led by Nat Turner, a man his fellow slaves called “The Prophet.” By all accounts, Turner was an intelligent but peculiar man. Although education for slaves was widely outlawed, he taught himself to read as a young child and pored over the Bible. He often avoided people and spent much time fasting, praying, and preaching to other slaves. Turner believed he received visions from God—one vision instructed him to be an instrument of revenge against whites for their wicked ways.

The Capture of Nat Turner (1800-1831) by Benjamin Phipps on 30 October 1831

Beginning on Aug. 21, 1831, Turner led as many as 70 followers on a 36-hour rampage to free slaves and kill whites in Southampton County, Virginia. By the time the local militia rallied and scattered Turner’s band, 55 whites—31 of them infants and children—were dead, most of them butchered. Although the local militia defeated Turner’s band the next day and captured several of the rebels, Turner himself escaped and hid in the woods, avoiding capture for over two months. On Oct. 30 he was discovered and apprehended. On Nov. 5, Turner was convicted and sentenced to die; six days later he was executed.

1831 woodcut from the book, Authentic and Impartial Narrative of the Tragical Scene Which Was Witnessed in Southampton County

Nat Turner’s rebellion, capture, trial and hanging were big news, especially in Southern newspapers. This article was printed by the Petersburg Intelligencer (Petersburg, Virginia) and reprinted by the Baltimore Gazette and Daily Advertiser (Baltimore, Maryland) on Nov. 5, 1831:

Capture of Nat Turner

The Petersburg Intelligencer received this morning contains the following account of this individual:

It is with much gratification we inform the public, that the sole contriver and leader of the late insurrection in Southampton—concerning whom such a hue and cry has been kept up for months, and so many false reports circulated—the murderer Nat Turner, has at last been taken and safely lodged in prison.

It appears that on Sunday morning last, Mr. Phipps, having his gun, and going over the land of Mr. Francis (one of the first victims of the hellish crew), came to a place where a number of pines had been cut down, and perceiving a slight motion among them, cautiously approached, and when within a few yards, discovered the villain who had so long eluded pursuit, endeavoring to ensconce himself in a kind of cave, the mouth of which was concealed with brush. Mr. P. raised his gun to fire; but Nat hailed him and offered to surrender. Mr. P. ordered him to give up his arms; Nat then threw away an old sword, which it seems was the only weapon he had. The prisoner, as his captor came up, submissively laid himself on the ground, and was thus securely tied—not making the least resistance!

Mr. P. took Nat to his own residence, where he kept him until Monday morning—and having apprized his neighbors of his success, a considerable party accompanied him and his prisoner to Jerusalem, where after a brief examination, the culprit was committed to jail.

Our informant (one of our own citizens, who happened to be in the county at the time), awards much praise to the people of Southampton for their forbearance on this occasion. He says that not the least personal violence was offered to Nat—who seemed, indeed, one of the most miserable objects he ever beheld—dejected, emaciated and ragged. The poor wretch, we learn, admits all that has been alleged against him—says that he has at no time been five miles from the scene of his atrocities; and that he has frequently wished to give himself up, but could never summon sufficient resolution!

Mr. Phipps, as the sole captor of Nat, is alone entitled to the several rewards (amounting in the aggregate, as we understand, to about $1,100) offered by the Commonwealth and different gentlemen, for his apprehension; and we are told, that in this instance Fortune has favored a very deserving individual—to whom, in addition to the pleasure arising from the recollection of the deed, the money derived from it will not be unacceptable.

This article was printed by the Alexandria Gazette (Alexandria, Virginia) on Nov. 8, 1831:

Extract of a Letter Received in Richmond Dated Southampton, Nov. 1.

Nat Turner is at last safely lodged in jail. He answers exactly the description annexed to the Governor’s Proclamation, except that he is of a darker hue, and his eyes, though not large are prominent—they are very long, deeply seated in his head, and have rather a sinister expression. A more gloomy fanatic you have never heard of. He gave, apparently with great candor, a history of the operations of his mind for many years past, of the signs he saw, the spirit he conversed with; of his prayers, fastings, and watchings, and of his supernatural powers and gifts, in curing diseases, controlling the weather, &c. These he considered for a long time only as a call to superior righteousness; and it was not until rather more than a year ago that the idea of emancipating the blacks entered his mind. How this idea came, or in what manner it was connected with his signs, &c. I could not get him to explain in a manner at all satisfactory—notwithstanding I examined him closely upon this point he always seemed to mystify. He does not, however, pretend to conceal that he was the author of the design, and that he imparted it to five or six others, all of whom seemed prepared with ready minds and hands to engage in it. These were they who rendezvoused in the field near Travis’s. He says their only arms were hatchets and axes at the commencement—that he entered Travis’s house by an upper window, passed through his chamber, and going through the outer door into the yard to his followers, told them that the work was now open to them. One of them, Hark, went into the house and brought out three guns—they then commenced their horrid butchery, he, Nat, giving the first blow, with a hatchet, both to his master and mistress, as they lay asleep in bed. He says that indiscriminate massacre was not their intention after they obtained foothold, and was resorted to in the first instance to strike terror and alarm. Women and children would afterwards have been spared, and men too who ceased to resist.

I had intended to enter into further particulars, and indeed to have given you a detailed statement of his confessions, but I understand a gentleman is engaged in taking them down verbatim from his own lips, with a view of gratifying public curiosity; I will not therefore forestall him.

On Nov. 8, three days before his execution, the Richmond Compiler (Richmond, Virginia) ran this article. It was reprinted by the Macon Telegraph (Macon, Georgia) in its Nov. 19, 1831, issue:

We understand that Nat Turner, the head of the Southampton Tragedy, was tried by the Court of that county on Saturday last. The evidence against him was clear and irresistible—he was condemned, and sentenced to be executed on Friday next. Will some future fatalist pretend to assert of him, as a Romancer of Albany has lately said of Gabriel, that he was torn to pieces by horses? We need scarcely add, that these remarkable executions are unknown in Virginia—that the insurgent, like any other murderer, dies by the cord—and that Nat Turner will be hung as were his associates in the massacre of Southampton.

This notice was printed by the State Rights Free Trade (Charleston, South Carolina) on Nov. 14, 1831:

A Virginia paper says: “The speedy retribution which has overtaken Nat Turner and his murderous accomplices will be an awful warning to such deluded wretches forever hereafter. Not one has escaped!”

The Richmond Enquirer (Richmond, Virginia) ran this article in its Nov. 18, 1831, issue:

Nat Turner.—This wretched culprit expiated his crimes (crimes at the bare mention of which the blood runs cold) on Friday last. He betrayed no emotion, but appeared to be utterly reckless in the awful fate that awaited him, and even hurried the executioner in the performance of his duty! Precisely at 12 o’clock he was launched into eternity. There were but a few people to see him hanged. [Apropos—The Albany biographer of negro cut-throats will please to remember, that Nat was not torn limbless by horses, but simply “hanged by the neck till he was dead.” He may say, however, that General Nat sold his body for dissection, and spent the money in ginger cakes.]

A gentleman of Jerusalem has taken down his confession, which he intends to publish with an accurate likeness of the brigand, taken by Mr. John Crawley, portrait painter of this town, to be lithographed by Endicott & Swett, of Baltimore. [Norfolk Herald.]

Refusing all entreaties to say a final word, Turner went calmly to his death. When they tightened the rope, he took a last breath and passed away without a kick or twitch, much to the crowd’s astonishment. This remarkable death scene was noted in this article, printed by the National Gazette and Literary Register (Philadelphia, Pennsylvania) in its Nov. 19, 1831, issue:

Nat Turner.—We learn, says the Petersburg Intelligencer, by a gentleman from Southampton, that the fanatical murderer, Nat Turner, was executed according to sentence, at Jerusalem Friday last, about 1 o’clock. He exhibited the utmost composure throughout the whole ceremony; and although assured that he might if he thought proper, address the immense crowd assembled on the occasion, declined availing himself of the privilege, and told the sheriff in a firm voice that he was ready. Not a limb nor a muscle was observed to move. His body, after death, was given over to the Surgeons for dissection.

This comment was printed by the City Gazette & Commercial Daily Advertiser (Charleston, South Carolina) in its Nov. 21, 1831, issue:

Nat Turner, the somewhat notorious, was hung at Norfolk on the 11th inst. He met his fate with a stupid sort of indifference—sold his body to the surgeons for dissection, and spent the money in ginger-cakes!

African-American newspapers printed in the latter half of the nineteenth century provide a different perspective on Nat Turner. Turner is viewed as a hero in the following examples, one a poem and the other an oration.

This poem was printed by the Cleveland Gazette (Cleveland, Ohio) on Nov. 22, 1884:

Nat Turner

By T. Thomas Fortune.

He stood erect, a man as proud

As ever to a tyrant bowed

Unwilling head or bent a knee,

And longed, while bending, to be free;

And o’er his ebon features came

A shadow—’twas of manly shame—

Aye, shame that he should wear a chain

And feel his manhood writhed with pain,

Doomed to a life of plodding toil,

Shamefully rooted to the soil!

He stood erect; his eyes flashed fire;

His robust form convulsed with ire;

“I will be free! I will be free!

Or, fighting, die a man!” cried he.

Virginia’s hills were lit at night—

The slave had risen in his might;

And far and near Nat’s wail went forth,

To South and East, and West and North,

And strong men trembled in their power,

And weak men felt ’twas now their hour.

“I will be free! I will be free!

Or, fighting, die a man!” cried he.

The tyrant’s arm was all too strong,

Had swayed dominion all too long;

And so the hero met his end

As all who fall as Freedom’s friend.

The blow he struck shook slavery’s throne;

His cause was just, e’en skeptics own;

And round his lowly grave soon swarmed

Freedom’s brave hosts for freedom arm’d.

That host was swollen by Nat’s kin

To fight for Freedom, Freedom win,

Upon the soil that spurned his cry:

“I will be free, or I will die!”

Let tyrants quake, e’en in their power,

For sure will come the awful hour

When they must give an answer, why

Heroes in chains should basely die,

Instead of rushing to the field

And counting battle ere they yield.

This oration was printed by the New York Age (New York, New York) on the front page of its Dec. 28, 1889, issue:

Nat Turner

A Senior Oration by a Student of the New York City College

Arthur W. Handy is a young man who graduated from Grammar School No. 81, of which Prof. Charles L. Reason is principal, some few years ago and entered the New York City College. He is at present a member of the graduating class and a candidate for the post of class orator next June. The following is his senior oration, entitled “A Hero,” it being one of three essays, limited to 550 words each, required to decide who shall occupy the position so highly prized.

“In every age, in every clime, heroes have arisen. Men who have laid down family ties, honor, and even life itself for the maintenance of a principle. Men whose courage and devotion under the most trying circumstances have caused mankind to wonder in silent admiration. The world knows nothing of some of its greatest heroes, for there are forms of greatness which die and make no sign. There are martyrs that miss the palm, but not the stake. Heroes without the laurels and conquerors without the triumph. It has been said and said truly that the times make the man. Greece had her Leonidas, Rome her Horatius and England her Cromwell: Nathaniel Turner was a hero! Characterized from the rest of his down-trodden brethren by natural aptitude, by dint of hard work in secret places Turner learned to read and write.

“Exercising his knowledge by reading such documents as the Right to Petition, Turner’s eyes were opened. He saw that all men were created free and equal. Immediately like a flash of lightning his whole being was suffused with a noble idea. Like Joan of Arc, he saw his mission in the flash of meteors, he heard his summons in the roaring of the wind. Collecting about him those whom he could trust, he planned a formidable uprising stretching from the land of Dixie to the palmetto groves of South Carolina. Slowly but surely the movement progressed. The time at last arrived when the blow was to have been struck. When the slave with sword in hand was to strike one blow for liberty. Was it done? Your histories do not record it. Nathaniel Turner was betrayed and by one of his own number. And yet how history repeats itself. How many such causes have been lost through treachery. Yet he died like a hero. No murmur escaped his lips. No sigh of regret for the failure of his plans.

“With his death ceased all such attempts for freedom until the immortal John Brown took up the cause. And yet how different were the surroundings of these two men, and still both aimed at the same result. Turner alone, friendless, with nothing but his ignorant companions to cheer him in the mighty struggle, worked with undaunted fortitude. Brown was watched and encouraged by a host of admiring friends. Thousands of dollars were appropriated for his scheme and some of the noblest spirits on this continent bade him God-speed. How strange it is that these two men, brought up under such different influences, should have been animated by the same desire. The crime for which Brown died at Harper’s Ferry was identical with the one for which Turner died in South Carolina [sic], the means by which it was to have been accomplished the same. And yet all the world unites in giving glory and honor to Brown while Turner is forgotten.

“Let those of us in whom the love of humanity responds to the spirit of the Bard Burns, who in his ‘Honest Poverty’ declares that ‘a man’s a man for a’ that,’ lift the veil of obscurity that shrouds the deeds of black men at the South. When the Nation’s history shall be written in the days to come Nathan Hale and Crispus Attucks will be accorded places side by side. May we not hope that John Brown and Nathaniel Turner will be surrounded with an equal halo of glory? Then rest in peace, thou more than hero, in other ages, in distant climes, when truth shall get a hearing, thy name shall be mentioned with reverence and with honor.”

While he was in jail, Turner had lengthy conversations with his lawyer, Thomas Ruffin Gray, from November 1-3, 1831. After Turner’s execution Gray published The Confessions of Nat Turner, which is thought to have sold over 50,000 copies in its first few months. An online edition of this book’s first edition can be read in the University of Nebraska-Lincoln’s “DigitalCommons.”

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Commemorating W.E.B. Du Bois and The Crisis: Reflections on Religion and American History

Wednesday, January 19th, 2011

 [This article by Phillip Luke Sinitiere, Visiting Assistant Professor in the History Department at Sam Houston State University, first appeared in the November 2010 issue of The Readex Report. ]

Introduction

Historical anniversaries provide occasion to remember, to reflect, and to create meaning. The controversy surrounding the 1994 Enola Gay exhibit and the memory of World War II offers a case in point. Current debates about September 11 memorials, museums, and mosques in New York City serve as others. The National Association for the Advancement of Colored People (NAACP) celebrated its centennial in 2009, only months after America’s first black president Barack Obama was sworn in. The NAACP’s official magazine, The Crisis, turned 100 in November 2010 and thus provides an occasion to remember and to reflect.1

Still in print, The Crisis represents the struggle, the ingenuity, and the fruit of its founder W.E.B. Du Bois (1868-1963). Du Bois spent nearly twenty-five of his ninety-five years as its editor (1910-1934). Throughout his autobiographical writings Du Bois proudly reflected on this achievement. In Dusk of Dawn (1940), for example, Du Bois maintained that through the work of the NAACP and The Crisis he could “place consistently and continuously before the country a clear-cut statement of the legitimate aims of the American Negro and the facts concerning his condition.” In his 1968 Autobiography, published posthumously, Du Bois remembered that “With The Crisis, I essayed a new role of interpreting to the world the hindrances and aspirations of American Negroes.”2

Dr. W.E.B. Du Bois (Source: Library of Congress, Prints & Photographs Division, LC-B2-1369-16)

One hundred years after its genesis, The Crisis remains a virtually untapped archive for studying America. This national magazine—not unlike its contemporary competitors, Opportunity, the National Urban League’s organ (founded in 1923), and The Messenger, the Brotherhood of Sleeping Car Porters’ publication (founded in 1917)—can tell us a tremendous amount about early twentieth-century American religious history. Conversant with the complex contours of American religious culture (and more specifically Protestant Christianity), in The Crisis Du Bois sometimes used religious language to address political (in)equality, while at other times he commented on the intersection of religion and public life. Du Bois also revealed his creative hand by commissioning noted Harlem Renaissance era artists to create religiously themed images to grace the magazine’s cover. Ultimately, studying Du Bois, religion and The Crisis during his editorship shows how religion not only helped to forge identity in a society that denied personhood to people of African descent, but also fueled the long civil rights movement of the twentieth century.3

Religion in The Crisis

When Du Bois became editor of The Crisis in 1910, he wasted little time registering religious reflections on its pages. An early editorial displays how Du Bois used the holiday season and religion as a way to reflect on the political realities of early twentieth-century America. In December 1910, in the magazine’s second issue, Du Bois focused on the ethical imperatives of Jesus’ teachings. “This is the month of the Christ Child,” Du Bois began, “when there was reborn in men the idea of doing to their neighbors that which they would wish done to themselves.” Christmas, for Du Bois, was not occasion to reflect on the wonder of the Incarnation as a theological concept, but on its manifestation in the world, what he called “a divine idea—a veritable Son of God.” Du Bois ended this December editorial with a political plea voiced as a prayer: “God grant that on some Christmas day our nation and all others will plant themselves on this one platform: Equal justice and equal opportunity for all races.” This early column represents Du Bois’s use of religious ideas to offer commentary on the American political order. Moreover, the moral dimensions of his language, emblematic of the Progressive Era in which he wrote, serve as a witness to Du Bois’s biblical understanding that sometimes struck a chord with his readers.4

And readers took notice of the ways that Du Bois engaged religion in The Crisis. Two rich examples surfaced in the early 1930s when in April 1931 New Yorker J.J. Mulholland wrote: “Remove my name from your mailing list. I am still interested in the movement but not in the atheism of Du Bois. This continual flaunting of his atheism has made THE CRISIS a menace to a Christian home, black or white.” It appears Du Bois’s criticism of religion and the color line led some to assume his searing voice signaled hostility toward faith. Two months later, in the June 1931 edition of The Crisis, Mabel S. Levine of South Dakota responded with this letter: “Continue my name on your mailing list indefinitely. I am interested in the movement and also in the ‘atheism’ of Dr. Du Bois. The continual diffusion of his liberal spirit is making THE CRISIS a blessing to every home, black or white.”5

What was it in The Crisis that raised the ire of Mulholland? What inspired Levine to weigh in positively about the question of Du Bois’s religious faith (or lack thereof)? Neither Mulholland nor Levine singled out an article or column, but their comments suggest clearly that the NAACP’s magazine had considerable religious content. And just what did Mulholland and Levine find in The Crisis? They would have read reports about the African Methodist Episcopal Church or reflections on the state of the black church by ministers and denominational leaders. Mulholland and Levine would also have read the consistent, critical attention Du Bois gave to clergy. In April and December issues—numbers that coincided with Easter and Christmas—they would have poured through nearly twenty spiritual short stories Du Bois wrote for The Crisis, fictional accounts imagining a Black Christ visiting twentieth-century America, mingling with struggling laborers from the Southern working-class, or preaching to city dwellers suffering from urban manifestations of Jim Crow. In one story Du Bois set the birth of Christ in Africa.6

“The Sermon in the Cradle,” published in the December 1921 issue, represents Du Bois’s most unique spiritual short story. It retold the story of Jesus’ birth as if it happened under European colonial rule in Benin. Du Bois rewrote the Nativity prophecy of the Hebrew prophet Isaiah: “And thou Benin, in the land of Nigeria, art not the least among the princes of Africa: for out of thee shall come a Governor, that shall rule my Negro people.” Those who visited the African Christ worshiped and presented gifts—“gold and medicine and perfume”—presents with symbolic significance and practical value for tropical Africa. Eventually the Christ child broke into a sermon as Du Bois reconfigured Jesus’ Sermon on the Mount: “Blessed are the poor folks for they shall go to heaven,” preached the African Christ, “Blessed are they that submit to hurts for they shall sometime own the world. . .Blessed are those who do not seek revenge for vengeance will not seek them. . . Blessed are you, Black Folk, when men make fun of you and mob you and lie about you. Never mind and be glad for your day will surely come. Always the world has ridiculed its better souls.” By the time he wrote “The Sermon in the Cradle,” Du Bois had organized two Pan African Congresses (1919 and 1921), international meetings held at a time America emerged as a global power. It is also significant that Du Bois chose the story and teachings of Jesus as one way to creatively narrate these larger global concerns. Finally, Du Bois’s reformulation of a popular New Testament passage Crisis readers would have recognized highlighted an explicit focus on the ethical dimensions of Jesus’ teaching, a perspective important to understanding the social gospel of early twentieth-century American Protestantism.7

Conclusion

The centennial of The Crisis calls our attention to its understudied role in twentieth-century American history. In turn, commemorative reflection invites students of history to explore Du Bois’s analysis of the black church, for example, and observe how he creatively gave readers a black Christ with whom they could find common ground. Finally, investigating religion and The Crisis at the dawn of the twenty-first century reminds us that religious ideas, religious language, and religious identity are historically contingent, culturally constructed, and endlessly fascinating.

[Updated editor's note: In May 2011 Readex will launch the inaugural collection in America's Historical Periodicals—a new Archive of Americana series. That collection—African American Periodicals, 1825-1995—will include issues of The Crisis edited by Du Bois and more than 200 other African American periodicals.]

About the Author

Phillip Luke Sinitiere is a Visiting Assistant Professor of history at Sam Houston State University. With Shayne Lee, he wrote Holy Mavericks: Evangelical Innovators and the Spiritual Marketplace (NYU Press, 2009).

Footnotes

1 On the Enola Gay controversy and historical memory see Edward T. Linenthal and Tom Englehardt, eds. History Wars: The Enola Gay and Other Battles for the American Past (New York: Holt, 1996). Scholars address 9/11 and its larger meaning in Joanne Meyerowitz, ed. History and September 11 (Philadelphia: Temple University Press, 2002) and Mary L. Dudziak, ed. September 11 in History: A Watershed Moment? (Durham, NC: Duke University Press, 2003). Also important is Anne Barnard and Manny Fernandez, “On Sept. 11 Anniversary, Rifts Amidst Mourning,” New York Times (September 11, 2010). The NAACP commemorated its history with NAACP Celebrating a Century: 100 Years in Pictures (Layton, UT: Gibbs Smith, 2009). See also Amy Helene Kirschke and Phillip Luke Sinitiere, eds. One Hundred Years of Crisis: Centennial Reflections on the NAACP, its Magazine, and its Place in American History (Columbia, MO: University of Missouri Press, forthcoming).

2 W.E.B. Du Bois, Dusk of Dawn, ed. Henry Louis Gates, Jr. (New York: Oxford University Press, [1940] 2007), 111-133; W.E.B. Du Bois, A Soliloquy on Viewing My Life from the Last Decade of Its First Century, ed. Henry Louis Gates, Jr. (New York: Oxford University Press, [1968] 2007), 162-175.

3 For different perspectives on religion and The Crisis, see Edward J. Blum, W.E.B. Du Bois: American Prophet (Philadelphia: University of Pennsylvania Press, 2007), Brian Johnson, W.E.B. Du Bois: Toward Agnosticism, 1868-1934 (Lanham, MD: Rowman & Littlefied, 2008), and Jonathon Kahn, Divine Discontent: The Religious Imagination of W.E.B. Du Bois (New York: Oxford University Press, 2009).

4 W.E.B. Du Bois, “Good Will Toward Men,” The Crisis (December 1910): 16.

5 See Mulholland’s letter in “Our Readers Say,” The Crisis (April 1931): 135; for Levine’s letter see “Our Readers Say,” The Crisis (June 1931): 178.

6 On art, religion and The Crisis, see Amy Helene Kirschke, Art in Crisis: W.E.B. Du Bois and the Struggle for African American Identity and Memory (Bloomington, IN: Indiana University Press, 2007), 51-114; Caroline Goeser, Picturing the New Negro: Harlem Renaissance Print Culture and Modern Black Identity (Lawrence, KS: University Press of Kansas, 2007), 207-245. For analysis of Du Bois’s spiritual short stories see Blum, W.E.B. Du Bois: American Prophet, 134-163.

7 W.E.B. Du Bois, “The Sermon in the Cradle,” The Crisis (December 1921): 58-59.

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